- Scopebox windows for mac#
- Scopebox windows full#
- Scopebox windows pro#
- Scopebox windows Pc#
- Scopebox windows series#
Whether you're working in editing and compositing applications like Premiere Pro, Final Cut Pro X, or After Effects DIT tools like Prelude, Silverstack, or LiveGrade or color grading software like Resolve you can use the same professional scopes. ScopeLink allows you to feed video directly from many popular applications directly to ScopeBox. You can mix and match scopes, save layouts, and be confident that you're seeing every pixel and every frame of your signal. A custom toolset crafted for creative professionals - colorists, editors, and shooters. Add framing guides and overlays to make sure that your shot works out exactly the way you expect.Īll the scopes you'd expect from hardware, and many many more. With false color and feature insights, you get the most powerful toolset available for quantitative viewing. You get all the features you'd expect to find on a high-end field monitor. ScopeBox gives you a high quality, flexible preview monitor. All scopes can be resized, re-arranged and customized according to your needs. You have the option to match and combine scopes, save and reuse your layouts. ScopeBox comes with numerous waveforms and vectorscopes as well as a RGB histogram and a Channel Plot. ScopeBox is a powerful and versatile macOS application that offers you a high quality preview monitor, numerous signal analyzers and recording capabilities for video of up to 4K resolution.
Scopebox windows full#
Once you figure it out, it's obvious anyway.ScopeBox for Windows 10 - Full description In the long run, this might be better since the muted colors reduce eyestrain. On my older monitor, the colors were very subtle and it took me awhile to figure out what was going on. Featuring a new design and upgraded hardware, the LAUNCH O2-1 Scope Box is a versatile easy to use module that detects high-level faults on various. Each palette has little circles that open for each source and the color of the window of the sources and the palettes switch to show you which one is which. With that said, there is one caveat: the way you tell which palette goes with which source is a little bit on the subtle side.
Scopebox windows series#
A series of various palettes can be switched to your different sources. You can also have multiple sources including more than one camera and Quicktime movies. The custom still image of the storyboard overlaying the live video. All of the scopes have different options. Mono makes it a vibrant green color but it takes the mind an extra step to associate this image with the boxes for red blue, yellow, green, cyan magenta and then translate that to the colors that are being affected. Of course, you can also set the mode to weighted and mono. I like to use the vectorscope with the mode set to color as it gives little colored pixels that show you what you are getting. It's great fun to point a video camera around and watch the picture change on the scopes, even if you don't know what they all do you can figure out most of it by watching the changes. Each different palette also has several choices for mode, sampling, colorspace and intensity. There is a nifty solo palette that enlarges the top palette to fill it's area of the screen, another click of the same keys gets rid of it. You can open all sorts of things in Scopebox 2.0 including a waveform, vectorscope, rgb parade, yuv parade, vu meters, luma and rgb histograms and timecode. With that format in mind, it works pretty well. However it is well set up for a single screen laptop which would be most commonly used by location filmmakers.
Scopebox windows for mac#
The interface is a little awkward for Mac users and, for studio use, you can't drag the windows around to other monitors.
The custom image well containing a storyboard image.
Scopebox windows Pc#
(I understand that PC users can utilize Adobe’s OnLocation with similar features, but Scopebox 2.0 is the only sub-$1000 Mac program that I’ve used that will do so.) I haven't found another Mac program that I or any of the people I usually work with owns that can combine a matte with a live camera feed. If you don't have an alpha channel you can use the opacity to line things up and click it on and off.
You also adjust the opacity before you see anything there. You have to drag a Photoshop file or other picture file in from the finder into the custom image well which is a black area slightly below the custom image button. But it does so much more: including recording video from your camera directly onto your laptop while you are checking your zebras, your scopes, adjusting the focus and even viewing an overlay picture for your visual effects.Īlthough probably not intended as such, the overlay feature is a great tool for visual effects as I can see the matte area thru my live camera and adjust lights, perspective action and color in the camera to match. Scopebox, now in it's 2.0 release, basically puts all the color, lighting, and other scopes you'll ever need to analyze the quality of your camcorder's image on your laptop.
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